Tarantino's most recognizable intertextual reference to Sergio Leone's films is the use of the soundtracks from "The Dollar's Trilogy". The first soundtrack is used in the opening sequence of the "Graveyard" scene in Kill Bill Vol.2 when The Bride confronts Bud. The soundtrack is called "A Fistful of Dollars" which is from the first film in the trilogy. It's very powerful and heroic. It represents the Bride's entrance being associated with the heroic-ness of "The Good" (Blondie), but then being kicked back down to a low hierarchy statues by Bud because he is seen towering above her while she is laying on the ground.
Tarantino uses a graveyard to establish the surrounding area as being lifeless, barren-like and desolate just like a desert. By doing this, thecharacter the bride is represented as if she has no chance of being rescued. She is at the mercy of a character called Bud (Bill's brother) whose archetype is represented as being "The Ugly". Just like how Tuco capturesBlondie, and then forces him to walk across the desert - which is lifeless, barren and desloated, just like the graveyard.
The title of "The Good, The Bad, and The Ugly" explains the three main character-archetype of Sergio Leone's western:
The location of the graveyard in Kill Bill Vol.2 can be seen as an intertextual reference because the scene then cuts to a graveyard in the 'middle of nowhere' - a barren-like area. This could also be seen as an intertextual referecne to "Assassination of Jesse James by the Coward Robert Ford" (2007).
'Jesse James' is mainly set in fields and barren-like locations, much like "The Good, The Bad, and The Ugly" aswell as in the graveyard scene of "Kill Bill Vol.2". It is an intertextual reference because of the use of a descent-like area as a location.
The costume in 'Jesse James' is also very similar to the type of Western costume used in "The Good, The Bad, and The Ugly", perhaps it inspired the costume for 'Jesse James' and many other westerns.
The costume which The Bride wears during the graveyard scene in "Kill Bill Vol.2" is a slight intertextual reference to Blondies' costume. The close up shot of the 'cowboy' boots The Bride wears this is intertextual reference, which 'film-buffs' look out for within Tarantio's films. By wearing these boots, the reference is to portray the heroic statues of Blondie - the 'shoes which The Bride is trying to fill. The non-deigetic soundtrack is very heroic and powerful, this too also represents the states of Blondie.
Tarantion's second most recognizable intertextual reference to Sergio Leone's "The Dollar's Trilogy" is by using a second soundtrack from the trilogy. This non-deigetic soundtrack is called "Ecstasy of Gold", and is from the ending scene of "The Good, The Bad, and The Ugly" during the Mexican standoff. The soundtrack, "Ecstasy of Gold" is very musically rondo. The rondo within the soundtrack could possibly represent the constant battle between the three main characters during the Mexican standoff - the soundtrack will not change until one of them 'makes a move' on another.
In terms of relating the non-degetic soundtrack to the graveyard scene in "Kill Bill Vol.2", the battle is between The Bride and Bud as The Bride has no dialogue which is spoken towards Bud throughout the entire film. This resemples much likeness of the silence during the ending scene of "The Good, The Bad, and The Ugly". "Ecstasy of Gold" is often used within the Western genre as a tribute to "The Good, The Bad, and The Ugly". For example, Adam Oxsen's film is named after the soundtrack - "Esctasy of Gold" (2009) and includes very simliar scenes from "The Good, The Bad, and The Ugly".
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